365 Films
Entry #82
That Thing
You Do (1996)
Directed by
Tom Hanks
That Thing You Do! is a perfect example of the “Sunday
Afternoon” movie. Other examples
of this phenomenon include The Shawshank Redemption, Casablanca, and any of the
first three Die Hards. These are
movies that you can turn on during any Sunday afternoon and any plans you had
for that day will become immediately null and void because you have been sucked
into a story that you have seen thousands and thousands of times previously. What makes That Thing You Do stand
apart from the others in this field is that it has a keen sense of its own
weightlessness. It knows that it
is just confectionary and it’s absolutely over the moon about that. One of the many admirable qualities to
the film is that writer/director Tom Hanks never uses his directorial debut as
a platform for unburdening his soul with either the troubles of the world or
the glory of being Tom Hanks. It’s
a trap far too many actors turned filmmakers fall into; that of making a film
that essentially celebrates their own talent rather than tell a story. First of all, That Thing You Do is a
comedy, something incredibly brave for a non-comedian actor to attempt to pull
off. Obviously, whether or not it
succeeds is up to one’s own personal sense of humor, but at least to these
eyes, Hanks definitely has a good ear for goofy dialogue. Perhaps more importantly, he has a good
eye for casting innately likable actors to carry a lot of the weight as well
(except for Jonathan Schaech, his character is an asshole from start to
finish). For example, we should
all thank Mr. Hanks for introducing us to the many charming gifts that Steve
Zahn has at his disposal. And
secondly, I think it’s also fairly honorable that Mr. Hanks only gives himself
a tertiary supporting role in the piece.
One gets the impression that the entire project was based on a desire
for Mr. Hanks to find new talent and expose them to the rest of the world. His love of actors and performance
definitely shines through nearly every frame of this film. Just look at the positively gleeful way
he films the sequence when the wonders hear their song on the radio for the
first time. His heart and soul are
so completely in sync with these performers that his passion is certifiably
contagious. Sure the film is as
Hanks’ Mr. White puts it towards the end, “a very common tale”, and it’s
recollections about that particular scene of music from the early 60’s are
vaguely nostalgic at best (Not Fade Away, this ain’t). But one only has to look at Hanks’ fifteen-year
later follow-up, Larry Crowne to see how his pleasantly inoffensive filmmaking
dorkiness (excuse the term) can totally backfire. That Thing You Do is bright, colorful, and never really
strives to be anything more. As I
said, perfect for a Sunday afternoon.
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