365 Films
Entry #62
Good Will Hunting (1997)
Directed by Gus Van Sant
I’d be lying if I tried to deny the fact
that Good Will Hunting didn’t kind of
change my life when it came out. I
know, it should have been some obscure Australian grindhouse movie that did it
but what can I say, hype and inspiration go a very long way. When Good Will Hunting was released in
the later part of 1997, the advertising campaign practically wrote itself. Two young, good looking, and enterprising
young actors wrote their own script out of nowhere and defied every single aspect
of movie industry logic by managing to get their film made the way they wanted
to. They also pulled off the
acquisition of an innovative indie director to give them street cred and a
bonafide movie star to appeal to the swing states, the only way to top that was
to get nominated for and win a bunch of awards. The most fascinating part of the behind the scenes Good Will
Hunting story to me was the fact that Matt Damon and Ben Affleck did not have
to acquire some kind of state certification in order to write their
screenplay. Growing up, the idea
of a filmmaker was at best, an abstract concept. I had no idea that it was something real life people
did. I had a vague notion as to
the megalomaniacal personalities of some industry veterans, but the idea that
two seemingly regular dudes created their own material while being life long
friends at the same time simply blew my mind. The movie almost became secondary to how cool those guys
were and how awe inspiring their accomplishment was. Luckily for me, the movie played like gangbusters and even
to this day retains the engaging, humorous, and empathetic qualities of Van
Sant’s earlier work. Revisiting it
today I realized that it definitely is as Will says before Sean’s big park
bench monologue, a movie that essentially boils down a “taster’s choice moment
between guys.” Sure there are
moments that are eye roll worthy in their obviousness but that shouldn’t
detract from the disarming earnestness that pervades every frame of the film. It still is, to this day, a fine piece
of writing and Van Sant’s handling
of certain moments really pull it back from the full on male weepie it keeps
threatening to become. That script
worked so well for me in fact that (if I’m remembering this accurately) I
believe this was the first published screenplay that I bought. Being a complete moron regarding the
internet for several years (and maybe the technology had not caught up yet), I
was enthralled with the concept that movies would publish and sell the actual
written word bible of the film.
It’s entirely possible that these screenplays were nothing more than
pre-fabricated transcriptions of the film that were merely sold as another
aspect of the film’s juggernaut marketing campaign, but it is here that I
learned the basic format of what a screenplay looked like. I have to give credit for Miramax on
this one, they were the first out of the gate and my screenplay collection soon
ballooned to include Pulp Fiction, Smoke Signals, Clerks, and Chasing Amy. I carted them around everywhere I went
and soon learned that this did not necessarily make me cool (I learned that the
hard way at Summer Camp) but it was a way to revisit these films whenever I
wanted and learn something about them at the same time. The proof of this is in the fact that
Good Will Hunting contains a litany of dialogue that I use an embarrassing
number of times in my every day life.
For example, when you have to go retrieve something for somebody and you
want to let them know how irritated you are upon your return? “Here’s ya FUCKIN
double-burger.” Ever want to
insult a narcissistic math genius? “It’s not about YOU, you mathematical dick!”
And if you truly want to let somebody know how not responsible they are for something simply repeat “it’s not
your fault” until they break down and begin sobbing into your arms, (that
really works by the way, just ask Gabe Fonseca). The list goes on and on, and as sad as it is to admit, I
wouldn’t be who I am today without Good Will Hunting. Shit, I almost forgot, this movie also introduced me to
Elliott Smith! Fuck it, this movie
is amazing and anybody who disagrees needs to shove the medal up their fuckin’
ass, alright?
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