365 Films
Entry #131
Run Lola
Run (1999)
Directed by
Tom Tykwer
Run Lola Run is an unqualified success for me because of the plain and simple fact
that I can’t exactly recall it. It
remains in my mind as fragments or pieces of an incredibly exhilarating and
visceral cinematic experience. I
suppose this is by design seeing as how writer-director Tom Tykwer sets up a
skeletal, choose your own adventure type only to populate it with all the
intricacies of fate, chance, and choice.
Run Lola Run also made an icon (for a brief moment) out of Franka
Potente and it is my understanding that such was her good standing in her
native Germany that the look of the character became a national trend amongst
the women. All of these attributes
add up to a movie that houses such outlandish stylistic tics that they, in
effect, become the movie. Which is
not to say that this is another tired exercise in the video game, music video
aesthetic but more a potent examination of mainstream Hollywood cinema made by
a filmmaker firmly planted outside of the establishment. The fact that Run Lola Run became the
subject of loving homage/spoofing in later films only confirms this fact. By stripping down the narrative of
action cinema to its barest elements, Tykwer gives himself the freedom to
explore movement and the inherent consequences that spring forth when movie
characters cease to care about the world around them in the mad dash pursuit of
their goals. The result is a
dynamic, involving, and gripping piece of suspense cinema peppered with moments
that stop to pause the enormity of a life ruled by movement.
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