Sunday, June 09, 2013

Ghost Dog: The Way of the Samurai


365 Films

Entry #124

Ghost Dog: The Way of the Samurai (2000)

Directed by Jim Jarmusch


My path towards the cinematic output of Jim Jarmusch began with 2000’s Ghost Dog: The Way of the Samurai.  It combined Jarmusch’s deadpan wit with my then (must emphasize the past tense use of that word) love of on screen bloodshed.  In a way, Ghost Dog is almost the best primer for a complete Jarmusch newbie,  it is, by far, one of his most accessible efforts yet the indescribable strangeness of his vision pervades every shot in this film.  As hard as it is to believe now there was a time when the presence of Forest Whitaker in a lead role provoked a sense of excited anticipation rather than quizzical confusion.  There was a time (before the Oscar sadly) when he was an unknown quantity and his hulking mass mixed with his lullaby whisper voice to produce an incredibly fascinating screen presence.  Ghost Dog is the movie he should have won the Oscar for and Ghost Dog is hands down the career capping performance for him thus far.  This is one of those movies where it becomes abundantly clear from frame one just how in sync the director and actor are together in pursuing this particular cinematic vision.  Just observe how beautifully Whitaker and Jarmusch regular Isaach De BankolĂ© play their relationship together as hitman and casual acquaintance Raymond, the ice cream man.  Neither one can understand a word the other is saying but their body language indicates years of easy camaraderie.  In keeping with Jarmusch’s delightfully absurdist view of humanity, the manner in which he depicts the Hip-Hop influence in a predominately white institution like the mafia is done with such tenderness and affection that it never becomes a hectoring sermon a la James Toback’s Black and White (released the same year).  Jarmusch’s combines playfully comedic sight gags and character moments with a genuine sense of moral seriousness to produce one of the strangest and most satisfying gangster/existential hit man hybrid movies ever made.   


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