365 Films
Entry #92
Three Kings
(1999)
Directed by
David O. Russell
I suppose it’s telling of the way we
watch movies now that one of my most vivid memories of Three Kings is the moment I first became aware of it via its
marketing campaign. I was sitting
in a theater in Stone Harbor about to partake in the comical shenanigans of a
group of genetically modified sharks and their wacky human caretakers otherwise
known as Deep Blue Sea when a trailer came on for something that appeared to
take place during the Gulf War. It
had Seth Gecko, Marky Mark, and Doughboy with a visual style that could only be
described as a heat-induced desert hallucination. As I sat there trying to figure out what the hell I was
looking at and how such an intriguing cinematic prospect could have slipped
under my radar, I was completely bowled over by something so original and
unique popping up out of nowhere in the middle of the summer doldrums. I had not quite grasped the notion that
the big, mindless spectacles were released in the summer and the more
thoughtful, elegant movies for grown-ups were relegated to the fall (Three Kings
was eventually released that October).
All I knew was that this movie looked thrilling, funny, and that I was
smitten from the very first second of this two and a half minute trailer. The fact that it also featured a
prominently displayed Bart Simpson doll as a punctuation mark was one of the
most glorious uses of an extreme close-up that I had ever seen in a theatrical
advertisement. Now I’m sure the
question driving all of you to the brink of insanity right now is “what about
the actual movie, you moron?” I
can assure you, Three Kings lived up to and exceeded far beyond even my lofty
notions of pre-release hype. I
merely bring up this incredibly unrewarding anecdote as a way of standing in
defense of the modern movie trailer.
Sure, we are bombarded by them on a daily basis and a lot of the time
they give the entire game away before you even have a chance to figure out for
yourself how sucky the movie is.
And there is a substantial argument to be made for and all-out ban on
trailers in order to achieve some sort of critical purity when watching films,
in that the only way to objectively evaluate a piece of work is to walk into it
with 10,000% ignorance as your guide.
I merely wish to point out that when a trailer such as Three Kings
arrives completely unannounced (I will admit that is nearly impossible these
days), maintains that tricky balance of telling you enough story without giving
away crucial plot details, and most importantly, does not lie about what it is,
the results can be spectacularly rewarding in a way that is just as satisfying
as walking into a movie cold. What
I mean to say is since movie trailers are part of the whole stupid game we play
with Hollywood, it would be nice if they actually worked from time to
time. The Three Kings trailer does
not pretend to be something that it is not. You get the surreal action heist elements, you get the
bulls-eye political/foreign policy satire, and you get the characters’ personal
awakening at the heart of its humanistic, anti-war agenda. A common flaw in movie marketing
(especially the trailers) is how they tend to disguise and dance around a
film’s more controversial elements (if those still exist in studio films
anymore). The Three Kings trailer
is so refreshing because it openly embraces the traits of its film that would
have been ignored by any other savvy advertisers. This leads me to believe that somebody in that studio really
fought for this movie and it might also explain why it seemed to fade from
existence when released in October of 1999. No matter, because while some films made about specific
periods of time in world history tend to be either hopelessly narrow or
helplessly dated, Three Kings only gets richer and more relevant as the years
pass. As we continue to remain a
country perpetually at war, one of the small (very small) comforts we can take
in that is how such violent chest-beating is also capable of producing wise and
outraged works of art like Three Kings.
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